His current focus is uncertainty, both as subject and method of production. Uncertainty can be a destructive constraint, but it also a liberator. It limits our knowledge of the future, but at the same time frees us from the past. Uncertainty sits at the heart of who and what we are. It allows space for free will and creativity, but it demands a willingness to embrace the unknown, the freedom to fail.

Gregor’s work translates this paradox into highly experimental work that tests how meaning can form in unstable conditions. Materiality is central to the process. Decision making is ceded to the behaviour of the medium, a productive instability in which authorship is shared between intention and outcome. Uncertainty here is not a problem to be solved, but a condition to be inhabited.

His paintings feature complex structures, layered geometry and shifting colour. These elements are repeatedly created and destroyed, hovering at the boundary between resolution and collapse. They explore how unpredictable realities can emerge from apparently chaotic systems. They transform uncertainty from a source of fear and discomfort into one of exploration and insight.

Gregor is collaborating with researchers at the University of Glasgow's Quantum Theory Group, for whom uncertainty is one of the deepest and most misunderstood concepts.

He lives and works on the Isle of Cumbrae.